Song#: 0949
Date: 03/13/1982
Debut: 80
Peak: 41
Weeks: 10
Genre: R&B
Pop Bits: Trimmed to a female duo, A Taste of Honey scored a major hit the previous year with the #3 remake of "Sukiyaki." For the lead single from their follow-up LP, "Ladies of the Eighties," they chose another cover tune and treated it with an arrangement similar to what they did for "Sukiyaki." The results were not quite as good with the song petering out at the unfortunate #41 position. It fared better at R&B reaching #9, but it would be their last R&B Top 10 and their final pop chart entry. After one more minor single from the album, the ladies called it quits and moved on to individual careers.
ReduxReview: I guess if a sound worked for you one time, why not try it again? It's actually not too bad. The drawback is that the song itself is not one of Smokey Robinson's best (see below). It lacks a real direct chorus which the Supremes/Temptations remake seemed to try and address. A Taste of Honey reverts back towards the original and it moves along nicely, but it's just not a song that sticks in your head. However, it's probably the best version of the song.
ReduxRating: 5/10
Trivia: This song penned by Smokey Robinson was a chart entry in 1962 for The Miracles reaching #39 (#11 R&B). A version by Diana Ross & the Supremes and The Temptations did a bit better in 1969 hitting #25 #8 R&B).
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Saturday, August 16, 2014
Friday, August 15, 2014
"If I Had My Wish Tonight" by David Lasley
Song#: 0948
Date: 03/13/1982
Debut: 82
Peak: 36
Weeks: 10
Genre: Blue-Eyed Soul
Pop Bits: While his name may not be familiar, most everyone has heard David Lasley's songs and voice. In the 70s, Lasley was a prolific songwriter and background vocalist beginning in the 70s. He sang on hundreds of recordings by major artists like Aretha Franklin, Joni Mitchell, Cher, Chic, and most notably James Taylor. Lasley spent many years touring with Taylor and has provided vocals on most all of his albums since 1979's "Flag." Lasley got his own chance at a solo career when he became the third artist signed by David Geffen for the Geffen label (after Donna Summer and Elton John). His first album for Geffen, "Missin' Twenty Grand," got great critical reaction and this first single reached the Top 40. Unfortunately, it would be his only chart song and after one more LP, he was dropped from Geffen.
ReduxReview: Strangely, Lasley didn't write this one. It's a Dave Loggins/Randy Goodrum tune that fits Lasley and his soulful falsetto well. But as pleasant as the song is to hear, I don't think it is that strong of a single. It's really Lasley's voice that makes this song. If anyone else had sung it, chances are it would be a pretty bland album cut. Although I appreciate and admire Lasley's voice, I'm not sure if I could listen to it for a full album. I think it could get grating. However, as proved by his long-standing career, it's perfect to back other artists.
ReduxRating: 5/10
Trivia: Lasley's songs have been recorded by numerous high-profile artists. He has had more chart success as a writer (or co-writer) than a solo artist with songs like "Lead Me On" by Maxine Nightingale (#5, 1979) and "JoJo" by Boz Scaggs (#17, 1980) leading the way.
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Date: 03/13/1982
Debut: 82
Peak: 36
Weeks: 10
Genre: Blue-Eyed Soul
Pop Bits: While his name may not be familiar, most everyone has heard David Lasley's songs and voice. In the 70s, Lasley was a prolific songwriter and background vocalist beginning in the 70s. He sang on hundreds of recordings by major artists like Aretha Franklin, Joni Mitchell, Cher, Chic, and most notably James Taylor. Lasley spent many years touring with Taylor and has provided vocals on most all of his albums since 1979's "Flag." Lasley got his own chance at a solo career when he became the third artist signed by David Geffen for the Geffen label (after Donna Summer and Elton John). His first album for Geffen, "Missin' Twenty Grand," got great critical reaction and this first single reached the Top 40. Unfortunately, it would be his only chart song and after one more LP, he was dropped from Geffen.
ReduxReview: Strangely, Lasley didn't write this one. It's a Dave Loggins/Randy Goodrum tune that fits Lasley and his soulful falsetto well. But as pleasant as the song is to hear, I don't think it is that strong of a single. It's really Lasley's voice that makes this song. If anyone else had sung it, chances are it would be a pretty bland album cut. Although I appreciate and admire Lasley's voice, I'm not sure if I could listen to it for a full album. I think it could get grating. However, as proved by his long-standing career, it's perfect to back other artists.
ReduxRating: 5/10
Trivia: Lasley's songs have been recorded by numerous high-profile artists. He has had more chart success as a writer (or co-writer) than a solo artist with songs like "Lead Me On" by Maxine Nightingale (#5, 1979) and "JoJo" by Boz Scaggs (#17, 1980) leading the way.
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Thursday, August 14, 2014
"On a Carousel" by Glass Moon
Song#: 0947
Date: 03/13/1982
Debut: 83
Peak: 50
Weeks: 7
Genre: Rock
Pop Bits: Developed in the 70s as a prog rock band, this Raleigh, NC, outfit changed to a more commercial pop/rock sound when they signed to Radio Records in 1978. Their self-titled debut album did very little business, but it was enough to call for a second LP. "Growing in the Dark" was issued and this first single became their one and only chart entry. After a change of personnel, the group put out a third album that went nowhere. They called it a day a couple years later.
ReduxReview: This is one of my absolute favorite Hollies tunes (see below). Their unhinged version is exciting and awesome. So for me, any cover is going to pale in comparison. On this one, I'll give points for changing up the song and not just rehashing the original. But I'm not sure I really like it. When the drums/guitars first enter, it had me thinking this would rock out and it sounded good. But when the chorus hits, all that goes away in favor of a cheap keyboard line. It ends up sounding like a weak Cars cover. Their version is tolerable, but it's got nothing on the original.
ReduxRating: 5/10
Trivia: This is a remake of a 1967 song by The Hollies. Their original version reached the dreaded #11 spot. However, it did better in their UK homeland hitting #4.
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Date: 03/13/1982
Debut: 83
Peak: 50
Weeks: 7
Genre: Rock
Pop Bits: Developed in the 70s as a prog rock band, this Raleigh, NC, outfit changed to a more commercial pop/rock sound when they signed to Radio Records in 1978. Their self-titled debut album did very little business, but it was enough to call for a second LP. "Growing in the Dark" was issued and this first single became their one and only chart entry. After a change of personnel, the group put out a third album that went nowhere. They called it a day a couple years later.
ReduxReview: This is one of my absolute favorite Hollies tunes (see below). Their unhinged version is exciting and awesome. So for me, any cover is going to pale in comparison. On this one, I'll give points for changing up the song and not just rehashing the original. But I'm not sure I really like it. When the drums/guitars first enter, it had me thinking this would rock out and it sounded good. But when the chorus hits, all that goes away in favor of a cheap keyboard line. It ends up sounding like a weak Cars cover. Their version is tolerable, but it's got nothing on the original.
ReduxRating: 5/10
Trivia: This is a remake of a 1967 song by The Hollies. Their original version reached the dreaded #11 spot. However, it did better in their UK homeland hitting #4.
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Wednesday, August 13, 2014
"Lonely Nights" by Bryan Adams
Song#: 0946
Date: 03/13/1982
Debut: 88
Peak: 84
Weeks: 2
Genre: Rock
Pop Bits: Canadian Adams was playing in bands and on his own since his early teens. By the time he was 18, he had signed on to A&M Records and released a self-titled debut album. It did some business in Canada, but was ignored in the US. He got a little recognition here when this single from his second album became a #3 mainstream rock hit. That pushed the song onto the lower reaches of the pop chart for a couple of weeks making it his first appearance. It was a good introduction that would lead to a major breakthrough with his third album.
ReduxReview: Adams and his writing partner Jim Vallance were just starting to really get the hang of writing solid, hooky, radio-ready pop/rock songs around this time. This one was a good effort that reminds me of something John Mellencamp might have done back in his early John Cougar days. Adam would go on to do far better than this, but this was not a bad single to get his US career kicked off.
ReduxRating: 5/10
Trivia: When he was 15, Adams fronted the glam rock band Sweeney Todd. The group had already issued a debut album with original lead vocalist Nick Gilder and got a minor chart entry with "Roxy Roller" in 1976 (#90). After that album, Gilder left for a solo career (later hitting in 1978 with the #1 "Hot Child in the City"). Their first replacement vocalist didn't work out and in stepped the teenaged Adams. He and the band re-recorded "Roxy Roller" (which spent 1 week on the chart at #99) and then went on to do the full album "If Wishes Were Horses." The LP tanked and after a short year in the group, Adams left. The group tried to keep going but fell apart soon after.
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Date: 03/13/1982
Debut: 88
Peak: 84
Weeks: 2
Genre: Rock
Pop Bits: Canadian Adams was playing in bands and on his own since his early teens. By the time he was 18, he had signed on to A&M Records and released a self-titled debut album. It did some business in Canada, but was ignored in the US. He got a little recognition here when this single from his second album became a #3 mainstream rock hit. That pushed the song onto the lower reaches of the pop chart for a couple of weeks making it his first appearance. It was a good introduction that would lead to a major breakthrough with his third album.
ReduxReview: Adams and his writing partner Jim Vallance were just starting to really get the hang of writing solid, hooky, radio-ready pop/rock songs around this time. This one was a good effort that reminds me of something John Mellencamp might have done back in his early John Cougar days. Adam would go on to do far better than this, but this was not a bad single to get his US career kicked off.
ReduxRating: 5/10
Trivia: When he was 15, Adams fronted the glam rock band Sweeney Todd. The group had already issued a debut album with original lead vocalist Nick Gilder and got a minor chart entry with "Roxy Roller" in 1976 (#90). After that album, Gilder left for a solo career (later hitting in 1978 with the #1 "Hot Child in the City"). Their first replacement vocalist didn't work out and in stepped the teenaged Adams. He and the band re-recorded "Roxy Roller" (which spent 1 week on the chart at #99) and then went on to do the full album "If Wishes Were Horses." The LP tanked and after a short year in the group, Adams left. The group tried to keep going but fell apart soon after.
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Tuesday, August 12, 2014
"Sad Girl" by GQ
Song#: 0945
Date: 03/13/1982
Debut: 93
Peak: 93
Weeks: 2
Genre: R&B
Pop Bits: This Bronx quartet released a funk album in 1976 as The Rhythm Makers, but changed their sound and name when they signed with Arista. As GQ, they moved towards disco and scored right off the bat with 1979's "Disco Nights (Rock-Freak)," a #12 pop/#1 R&B gold record hit. Three more R&B Top 10's followed, but by the time their third album, "Face to Face," came out, the quartet was a trio and this single became their last to hit both the pop and R&B chart.
ReduxReview: Moving away from disco, the trio comes up with this retro-ish R&B tune that is not too bad. It's kind of bland though and even after hearing it a few times it slipped right out of my head. It's okay for a listen, but ultimately forgettable.
ReduxRating: 4/10
Trivia: Group member Keith "Sabu" Crier is the uncle of R&B/New Jack star Keith Sweat. Sweat's 1987 debut solo album featured the #1 R&B hit "I Want Her" (#5 pop).
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Date: 03/13/1982
Debut: 93
Peak: 93
Weeks: 2
Genre: R&B
Pop Bits: This Bronx quartet released a funk album in 1976 as The Rhythm Makers, but changed their sound and name when they signed with Arista. As GQ, they moved towards disco and scored right off the bat with 1979's "Disco Nights (Rock-Freak)," a #12 pop/#1 R&B gold record hit. Three more R&B Top 10's followed, but by the time their third album, "Face to Face," came out, the quartet was a trio and this single became their last to hit both the pop and R&B chart.
ReduxReview: Moving away from disco, the trio comes up with this retro-ish R&B tune that is not too bad. It's kind of bland though and even after hearing it a few times it slipped right out of my head. It's okay for a listen, but ultimately forgettable.
ReduxRating: 4/10
Trivia: Group member Keith "Sabu" Crier is the uncle of R&B/New Jack star Keith Sweat. Sweat's 1987 debut solo album featured the #1 R&B hit "I Want Her" (#5 pop).
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