Song#: 2721
Date: 05/17/1986
Debut: 92
Peak: 91
Weeks: 4
Genre: Pop, Dance-Pop, Synthpop
Pop Bits: After experiencing a bit of a sophomore slump with their second album Beauty Stab, ABC made a comeback with their third effort How to Be a...Zillionaire! It contained their first US Top 10 hit, "Be Near Me" (#9). The LP's second single, "(How to Be A) Millionaire," also did fairly well making it to #20. The band hoped the hit streak would continue with this third single and indeed it did well at clubs and reached #5 on the Dance chart. Unfortunately, the song couldn't get anywhere on the Pop chart and after a month near the bottom, it disappeared. A fourth single, "Ocean Blue," would be released but it failed to reach any US chart. While it would miss the gold mark, the album did well reaching #30.
ReduxReview: This was another good track from the band and one that I thought might have gotten into the Top 40. It worked fine at Dance, but for some reason it just couldn't gain an audience at Pop. While not in the same league as some of their best hits, it was still a fine song and a valid choice for a single.
ReduxRating: 6/10
Trivia: There were two very different videos shot for this song. For the UK market, the four members perform the song in front of a black background while various edits and techniques, such as stop-action, are used to manipulate the images. For the US market, the video was more elaborate and played more like a film. Unlike the UK version which featured all four band members at the time (Martin Fry and Mark White were the main members while Eden and David Yarritu had marginal roles), the US version just had Fry and White involved. The duo played a couple of detectives (or possibly thieves) who spy on various characters. The pair is also shown performing the song in some kind of Las Vegas-style review. It was directed by Peter Care. It was one of his first music videos and he would go on to do many others including ones for Tina Turner, Bananarama, Belinda Carlisle, Bruce Springsteen, and R.E.M. He also directed R.E.M.'s concert film Road Movie (1996). Care would direct one feature film, the 2002 coming of age comedy-drama The Dangerous Lives of Altar Boys. The film was well-received and it won Care the Independent Spirit Award for Best First Feature.
_________________________________________________________________________________
Thursday, March 28, 2019
Wednesday, March 27, 2019
"When the Heart Rules the Mind" by GTR
Song#: 2720
Date: 05/10/1986
Debut: 74
Peak: 14
Weeks: 16
Genre: Rock
Pop Bits: Former Yes guitarist Steve Howe found success as part of the new supergroup Asia whose #1 self-titled debut was one of 1982's biggest hits. After a shaky second LP, Howe just wasn't happy with the direction of the band and decided to leave. Still wanting to be part of a band, Howe decided to develop one and wanted to work with former Genesis guitarist Steve Hackett. The pair had the idea to skip actual keyboard synths and apply the new MIDI technology of the day to their guitars to help cue up synthesized sounds. They brought three other members on board including lead singer Max Bacon and GTR was born. Geoff Downes, who had been in Yes and Asia with Howe, was hired on as producer. Howe and Hackett would co-write the majority of tunes on the band's self-titled debut album including this first single. It would be a hit on Rock radio reaching #3 on that chart. The tune also did well at Pop where it got inside the Top 20. The album would peak at #11 and eventually go gold.
ReduxReview: Although the album leaned more towards prog rock, this single is right out of the commercial AOR playbook and not too far off from what Howe and Downes were doing in Asia - minus a keyboard player. I always found it odd around this time that these "supergroups" would get formed and for the most part the music they would come up with wasn't all that different from the bands they were in previously. It's like one member of a band will not be happy because he doesn't get his way, leaves, starts a new band, and the result is basically like the old band with maybe a minor tweak of some kind. The main problem was that egos got in the way. The one good thing is that these supergroups could usually get at least one solid, chart-oriented track out and for GTR it was this one.
ReduxRating: 7/10
Trivia: Back in the day before everyone was using ProTools for recording, if you went into a studio with a big mixing console, there was usually a long piece of gaffer's tape (typically white) either above or below the volume controls on the board. The engineer would then write the names of the instruments, voices, etc. on the tape so they knew what was assigned to each set of controls. They would sometimes use abbreviations for certain instruments to keep things neat and concise and a common one to see for the guitar channel would be "GTR." Since Howe's new band wanted to be guitar based/controlled, they took their name from the console abbreviation.
_________________________________________________________________________________
Date: 05/10/1986
Debut: 74
Peak: 14
Weeks: 16
Genre: Rock
Pop Bits: Former Yes guitarist Steve Howe found success as part of the new supergroup Asia whose #1 self-titled debut was one of 1982's biggest hits. After a shaky second LP, Howe just wasn't happy with the direction of the band and decided to leave. Still wanting to be part of a band, Howe decided to develop one and wanted to work with former Genesis guitarist Steve Hackett. The pair had the idea to skip actual keyboard synths and apply the new MIDI technology of the day to their guitars to help cue up synthesized sounds. They brought three other members on board including lead singer Max Bacon and GTR was born. Geoff Downes, who had been in Yes and Asia with Howe, was hired on as producer. Howe and Hackett would co-write the majority of tunes on the band's self-titled debut album including this first single. It would be a hit on Rock radio reaching #3 on that chart. The tune also did well at Pop where it got inside the Top 20. The album would peak at #11 and eventually go gold.
ReduxReview: Although the album leaned more towards prog rock, this single is right out of the commercial AOR playbook and not too far off from what Howe and Downes were doing in Asia - minus a keyboard player. I always found it odd around this time that these "supergroups" would get formed and for the most part the music they would come up with wasn't all that different from the bands they were in previously. It's like one member of a band will not be happy because he doesn't get his way, leaves, starts a new band, and the result is basically like the old band with maybe a minor tweak of some kind. The main problem was that egos got in the way. The one good thing is that these supergroups could usually get at least one solid, chart-oriented track out and for GTR it was this one.
ReduxRating: 7/10
Trivia: Back in the day before everyone was using ProTools for recording, if you went into a studio with a big mixing console, there was usually a long piece of gaffer's tape (typically white) either above or below the volume controls on the board. The engineer would then write the names of the instruments, voices, etc. on the tape so they knew what was assigned to each set of controls. They would sometimes use abbreviations for certain instruments to keep things neat and concise and a common one to see for the guitar channel would be "GTR." Since Howe's new band wanted to be guitar based/controlled, they took their name from the console abbreviation.
_________________________________________________________________________________
Tuesday, March 26, 2019
"If She Knew What She Wants" by The Bangles
Song#: 2719
Date: 05/10/1986
Debut: 80
Peak: 29
Weeks: 14
Genre: Pop
Pop Bits: The Bangles broke through with the Prince-penned "Manic Monday," the first single from their second album Different Light. It was a #2 smash that really pushed the all-female band into the limelight. This follow-up single couldn't quite reach the heights of their previous hit, but it made a slight impression getting into the Top 30 on both the Pop and AC (#24) charts. As this song began climbing the chart, the album initially peaked just outside the Top 10 at #12. But their next single would push the album up to #2 and help it become a triple platinum seller.
ReduxReview: I thought this breezy tune was a good follow-up to "Manic Monday." It wasn't' a song with a huge hook or one that commanded your attention when heard on the radio. It was just an easy-going pop tune that was a pleasure to hear. I thought for sure it would get up near the Top 10 but it stalled way short. It just didn't seem to catch on and may have been a bit too casual to break through a noisy 80s chart.
ReduxRating: 7/10
Trivia: On the band's debut LP, 1984's All Over the Place, they wrote all but two of the album's eleven songs. On Different Light, they had a hand in seven of the twelve tracks. The other five consisted of three new songs by other composers and two remakes. This single was one of the remakes. It was originally written and recorded by singer/songwriter Jules Shear for his 1985 album The Eternal Return. That LP featured Shear's only Pop chart single, the #57 "Steady," a song he co-wrote with Cyndi Lauper. He issued out "If She Knew What She Wants" as a follow up, but it failed to chart.
_________________________________________________________________________________
Date: 05/10/1986
Debut: 80
Peak: 29
Weeks: 14
Genre: Pop
Pop Bits: The Bangles broke through with the Prince-penned "Manic Monday," the first single from their second album Different Light. It was a #2 smash that really pushed the all-female band into the limelight. This follow-up single couldn't quite reach the heights of their previous hit, but it made a slight impression getting into the Top 30 on both the Pop and AC (#24) charts. As this song began climbing the chart, the album initially peaked just outside the Top 10 at #12. But their next single would push the album up to #2 and help it become a triple platinum seller.
ReduxReview: I thought this breezy tune was a good follow-up to "Manic Monday." It wasn't' a song with a huge hook or one that commanded your attention when heard on the radio. It was just an easy-going pop tune that was a pleasure to hear. I thought for sure it would get up near the Top 10 but it stalled way short. It just didn't seem to catch on and may have been a bit too casual to break through a noisy 80s chart.
ReduxRating: 7/10
Trivia: On the band's debut LP, 1984's All Over the Place, they wrote all but two of the album's eleven songs. On Different Light, they had a hand in seven of the twelve tracks. The other five consisted of three new songs by other composers and two remakes. This single was one of the remakes. It was originally written and recorded by singer/songwriter Jules Shear for his 1985 album The Eternal Return. That LP featured Shear's only Pop chart single, the #57 "Steady," a song he co-wrote with Cyndi Lauper. He issued out "If She Knew What She Wants" as a follow up, but it failed to chart.
_________________________________________________________________________________
Monday, March 25, 2019
"Don Quichotte" by Magazine 60
Song#: 2718
Date: 05/10/1986
Debut: 82
Peak: 56
Weeks: 11
Genre: Synthpop, Europop, Dance
Pop Bits: This French band was founded by producer Jean-Luc Drion in the early 80s. Their first album in 1981, 60's Slows, was a Stars on 45-style LP that featured a lengthy medley of hit ballads from the 60's like "The Sound of Silence" and "A Whiter Shade of Pale." It ended up being a hit in France and two years later they did a second medley album based on hit 60's guitar instrumentals assembled with a hand-clap beat. But with the medley fad fading, the band decided to work up some original songs. They issued out a couple of singles, but it was this one that garnered a lot of attention. It would reach #10 in France in 1984 and then begin to spread to other countries. Eventually, the song made its way to the US and it ended up being a sizable hit on the Dance chart getting to #16. It crossed over to Pop and nearly made it into the Top 50. An album titled Costa Del Sol was assembled, but by the time it was released in the US, this song had long faded from the charts and with nothing else to promote it, the LP quickly disappeared. The band then went their separate ways with Drion going on to form the duo Monte Kristo. They would have a little success with a Top 10 hit in France titled "Girl of Lucifer."
ReduxReview: This song is so bizarre that it just had to be a Dance hit. I can totally see folks packing the dance floor and having fun to this popcorn jam. The wonderfully awful video for the song only enhances the craziness of this tune. I have no idea as to what the song is about. It's in Spanish and some English and makes zero sense to me, but assume it has something to do with Don Quixote and Sancho Panza. Yet I really don't care. When I first heard it my initial reaction was "this is awful." But then further listens started to get me hooked. Then the video just made me crack up. Is this quality material? Hell no. It's terrible. Yet it was produced well and there was something endearing and fun about the tune and the video that made me like it. Like the old saying goes - it's like a car wreck you just can't stop looking at.
ReduxRating: 7/10
Trivia: Double Shot! 1) A sample of this song was used by Black-Eyed Peas frontman will.i.am for his solo single "I Got It from My Mama" in 2007. It was the first single from his third solo album Songs About Girls. The tune would get to #31 on the Pop chart. 2) In 1980, Drion worked as an arranger/conductor on the second album by French singer Patrick Hernandez. Hernandez shot to fame thanks to his 1979 disco tune "Born to Be Alive." It was a massive hit in France becoming one of the country's biggest selling singles of all time. It also did well in the US reaching #1 at Dance and #16 Pop, and it would be a certified gold seller. With the song doing well, Hernandez was set up to do a tour of the US. He needed backup dancers and auditions were held in NYC to fill the spots. One dancer who aced the audition was a young Madonna Ciccone. Now, depending on what you read and who you believe, the stories on Madonna and Hernandez vary. From what I gather, Madonna got the job and worked with Hernandez. But Hernandez and his team thought she had the goods to do more and wanted to turn her into a star. They invited Madonna to Paris and she took the opportunity (and along the way it seems she and Hernandez were an item for a short bit). They wanted her to record a disco track, but she wasn't having it. She wanted to record a different style of music. After three months of nothing happening, Madonna said adieu and went back to the States. Soon she would become a worldwide superstar.
_________________________________________________________________________________
Date: 05/10/1986
Debut: 82
Peak: 56
Weeks: 11
Genre: Synthpop, Europop, Dance
Pop Bits: This French band was founded by producer Jean-Luc Drion in the early 80s. Their first album in 1981, 60's Slows, was a Stars on 45-style LP that featured a lengthy medley of hit ballads from the 60's like "The Sound of Silence" and "A Whiter Shade of Pale." It ended up being a hit in France and two years later they did a second medley album based on hit 60's guitar instrumentals assembled with a hand-clap beat. But with the medley fad fading, the band decided to work up some original songs. They issued out a couple of singles, but it was this one that garnered a lot of attention. It would reach #10 in France in 1984 and then begin to spread to other countries. Eventually, the song made its way to the US and it ended up being a sizable hit on the Dance chart getting to #16. It crossed over to Pop and nearly made it into the Top 50. An album titled Costa Del Sol was assembled, but by the time it was released in the US, this song had long faded from the charts and with nothing else to promote it, the LP quickly disappeared. The band then went their separate ways with Drion going on to form the duo Monte Kristo. They would have a little success with a Top 10 hit in France titled "Girl of Lucifer."
ReduxReview: This song is so bizarre that it just had to be a Dance hit. I can totally see folks packing the dance floor and having fun to this popcorn jam. The wonderfully awful video for the song only enhances the craziness of this tune. I have no idea as to what the song is about. It's in Spanish and some English and makes zero sense to me, but assume it has something to do with Don Quixote and Sancho Panza. Yet I really don't care. When I first heard it my initial reaction was "this is awful." But then further listens started to get me hooked. Then the video just made me crack up. Is this quality material? Hell no. It's terrible. Yet it was produced well and there was something endearing and fun about the tune and the video that made me like it. Like the old saying goes - it's like a car wreck you just can't stop looking at.
ReduxRating: 7/10
Trivia: Double Shot! 1) A sample of this song was used by Black-Eyed Peas frontman will.i.am for his solo single "I Got It from My Mama" in 2007. It was the first single from his third solo album Songs About Girls. The tune would get to #31 on the Pop chart. 2) In 1980, Drion worked as an arranger/conductor on the second album by French singer Patrick Hernandez. Hernandez shot to fame thanks to his 1979 disco tune "Born to Be Alive." It was a massive hit in France becoming one of the country's biggest selling singles of all time. It also did well in the US reaching #1 at Dance and #16 Pop, and it would be a certified gold seller. With the song doing well, Hernandez was set up to do a tour of the US. He needed backup dancers and auditions were held in NYC to fill the spots. One dancer who aced the audition was a young Madonna Ciccone. Now, depending on what you read and who you believe, the stories on Madonna and Hernandez vary. From what I gather, Madonna got the job and worked with Hernandez. But Hernandez and his team thought she had the goods to do more and wanted to turn her into a star. They invited Madonna to Paris and she took the opportunity (and along the way it seems she and Hernandez were an item for a short bit). They wanted her to record a disco track, but she wasn't having it. She wanted to record a different style of music. After three months of nothing happening, Madonna said adieu and went back to the States. Soon she would become a worldwide superstar.
_________________________________________________________________________________
Sunday, March 24, 2019
"Danger Zone" by Kenny Loggins
Top 10 Alert!
Song#: 2717 Date: 05/10/1986
Debut: 85
Peak: 2
Weeks: 21
Genre: Pop, Rock, Soundtrack
Pop Bits: At this point in time, two of Loggins' three Top 10 hits were from movie soundtracks including the 1984 #1 "Footloose." His 1985 album that followed that smash, Vox Humana, was expected to be a big seller, but it stalled at gold-level sales due to the lack of a significant hit. While figuring out his next step, Loggins was asked to sing this Giorgio Moroder/Tom Whitlock composition that was slated to be used in an upcoming film titled Top Gun, which starred Tom Cruise and Val Kilmer. Loggins accepted the job and proceeded to record the tune with Moroder producing. Selected as the first single from the soundtrack album, it would be issued out a couple of weeks before the movie's premier. Luckily, the film was a big hit and that helped the song peak right near the top of the Pop chart becoming Loggins' third Top 10 hit from a soundtrack. The album would also be a major hit spending five non-consecutive weeks at #1. It would go on to sell over nine million copies.
ReduxReview: Moroder is not necessarily known for writing and producing rock tracks, but he did a damn fine job on this one. I love the mysterious verse that's minus the snare sound and accented by fills which then leads to a crashing into the chorus. I used to crank this on my stereo and it sounded meaty and mighty. It's a hooky track that's not too complicated or overdone. The song was perfect for Top Gun and it was exciting to hear in the film and on the radio. "Footloose" may be Loggins' classic film song, but this one is nearly as good.
ReduxRating: 9/10
Trivia: Although it seemed like getting Loggins to do this song was a no-brainer thanks to his track record of film hits, he was actually the fifth act asked to do the job. The producers first wanted Toto to record the tune and it seems they were up for doing it and contributing a love song called "Only You" to the soundtrack, but legal issues arose and Toto bailed. Bryan Adams was in contention as well. Producers wanted to use one of Adams' songs and thought he could perform "Danger Zone" as well, but Adams declined as he though the film glorified war. REO Speedwagon was given a shot to do the tune, but because producers declined their request to have one of their original songs on the album as well, they dropped out. Corey Hart was approached for the job, but he didn't want to sing someone else's song. Finally, a call went to Loggins and a Top 10 hit was born.
_________________________________________________________________________________
Subscribe to:
Posts (Atom)